The best candid street photos are natural, un-posed and
capture real life as it should be. The best candid shots are raw and gritty. To
capture this type of photo a street photographer needs to be discreet, stealthy
and like a ninja. Street photographers need to blend in to the background and
must have the ability to spot a photo opportunity, dial in the camera settings,
take the shot and put the camera away quickly, efficiently and without being
spotted.
Candid street photography isn’t easy and you have to be
prepared to put in the time and effort to get great photos. Capturing great
candid street photography shots is easier if you use the right equipment, and
the right lens in particular.
Many photographers seem to be under the impression you get
the best candid street photos staying a long way off the subject using a long
reach tele lens to zoom in for a frame filling shot. This is one method but
using a long reach lens seldom results in an engaging photo. The other problem
with long tele lenses is they often attract unwanted attention as this set up
looks suspicious.
Rather than using a long tele lens you should use a small and
discreet lens with a shorter focal length and get in nice and close to the
subject to get an engaging frame filling photo. Getting great candid street
photography shots from close quarters is actually very easy and most subjects
won’t even be aware what is going on. I say most subjects because there are
always going to be one or two subjects who do realize and play up to the camera
or act unnaturally.
If you use a small and discreet lens and change your
approach so you get nice and close to the subject I guarantee your candid
street photos will improve.
The lens I use for candid street photography is the Canon
40mm f2.8 STM lens (full review here)
Focal Length – Full frame/APS-C:- 35mm/ 42mm/ Aperture:-
2 - 22/ Min focus:-
9.4"/ Dimensions:-
3.07" x 2.46"/
Weight:- 11.8oz/ Image stabilization:-
Yes/ Price (approx.) $USD/£ GBP:-$550.00/£445.00
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The reason I bought and use this lens for candid street
photography is because of its size. Being a pancake lens this lens is tiny,
light and doesn’t attract attention. I appreciate the f2.8 maximum widest
aperture isn’t the best, but don’t let this put you off buying one. Camera
shake should not been an issue (not least because this lens’ tiny dimensions) and
the depth of field at f2.8 is more than sufficient to blur out the background.
The 40mm focal length may seem like a strange one but it is
in fact very useful, and perfect for those times when the field of view of a
35mm lens is slightly too wide and the field of view of a 50mm lens is not wide
enough.
All things considered this lens is fantastic and gives the
biggest bang for the buck. For the price the image quality is awesome and the
build quality very good and I struggle to see how Canon can make a profit on
this lens.
Hey Very Nice Blog!! Thanks For Sharing!!
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